Revolutionary Enclosures (Until the Apricots) (2023) by Jasbir Puar and Dima Srouji, Sharjah Biennial 15.
Jasbir Puar and Dima Srouji build upon their respective work in architecture, visual art and decolonial theory to produce a collaborative examining of colonial pathologies in the installation, Revolutionary Enclosures (Until the Apricots) With a series of household items responding to material conditions of different kinds of lockdown, it interweaves the artists’ experiences of COVID-19 quarantine with their memories of the Second Intifada (2000–2005)
