Shahpour, Pouyan, “After Moses”, 2017
Jasan Farago reviews the 2017 edition of Art Basel Miami Beach highlighting Pouyan's Miniatures on rice paper.
"Pouyan has reproduced centuries-old Persian miniatures that depicted Muhammad and other religious figures — Central Asian artists, unlike their Arab counterparts, frequently portrayed the prophet in art — but has excised the figures to leave only gold arches, blue backdrops and flowing calligraphy. The erasure is at once a tribute to the less heralded constituent elements of Persian painting and fearsome metaphor for recent attacks on religious representation, from the museums of Baghdad to the newsroom of Charlie Hebdo."
