In Hong Kong for the first time this year, Dubai gallery Lawrie Shabibi presents “Recentring Modernism,” featuring works by Farhad Ahrarnia and Shahpour Pouyan. The latter recalls through drawings a spectacular Shi’ite mausoleum in Iraq recently destroyed by ISIS; while Ahrarnia’s highly intricate works continue the artist’s exploration of traditional crafts through Khatam. A form of marquetry or mosaic comprising inlaid wood, camel bone, ivory, and metals, here they’re organized to resemble Kazimir Malevich’s geometric abstract paintings.