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  • Open a larger version of the following image in a popup: Hamra Abbas, Tree 1, 2022

    Hamra Abbas Pakistani , b. 1976

    Tree 1, 2022
    Marble, lapis lazuli, serpentine, jasper, calcite
    213.36 x 76.2 cm
    84 x 30 in
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    %3Cdiv%20class%3D%22artist%22%3EHamra%20Abbas%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ETree%201%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EMarble%2C%20lapis%20lazuli%2C%20serpentine%2C%20jasper%2C%20calcite%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E213.36%20x%2076.2%20cm%3Cbr/%3E%0A84%20x%2030%20in%3C/div%3E
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    In Tree (2022) Abbas appropriates an image of a cypress tree engraved in the Palace of Mirrors in Lahore Fort, and reimagines it enriched with vivid blocks of color that...
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    In Tree (2022) Abbas appropriates an image of a cypress tree engraved in the Palace of Mirrors in Lahore Fort, and reimagines it enriched with vivid blocks of color that recall the paintings of Paul Klee and the geometric patterns synonymous with Bauhaus architecture. Abbas’ Flower (2022) series, on the other hand, are much softer, baring the aesthetic of 19th century still life paintings such as Van Gogh’s Sunflowers.
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